e-ISSN: 1698-7802
DOI prefix: 10.14516/fde
“Foro de Educación founded (2003) and directed (2003-till date) by José Luis Hernández Huerta, and published by FahrenHouse (2003-till date). FahrenHouse: Salamanca, España
In this paper we are intending to do a brief survey of the Spanish artistic panorama from, nearly, the end of the development economic policies («des- arrollismo», 1968) to the definitive stablishment of the democracy with the PSOE first electoral victory (1982). We will take as a main reference the research perspectives ope- ned by several editorial and exhibition projects which, recently, have questioned the paradigmatic condition of the Spanish democratic transition, arguing that this process conclude with a self conversion of the dictatorial politic structures that had obstructed the stablishment of a participative and genuine democratic system. In the artistic field, Franco ́s dead have been understood as a point of inflexion that subtracts part of the politic validity to the anti-franquist practices developed in the borders of conceptual art. This interpretation also legitimizes a return to order embodied in non-politic pain- ting trends that, supported by their market success, concealed an extremely reactionary attitude.
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e-ISSN: 1698-7802
DOI prefix: 10.14516/fde
“Foro de Educación founded (2003) and directed (2003-till date) by José Luis Hernández Huerta, and published by FahrenHouse (2003-till date). FahrenHouse: Salamanca, España
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